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In the 1580s, John White was like a National Geographic photographer, traveling to an exotic new world to capture scenes for armchair tourists.
Instead of film, he used pencil and watercolors. On just such a trek, he created what are now the earliest existing images of the plants, animals and Algonquian-speaking Indians of this region...
"When it comes to understanding this era, nothing is more important than John White's watercolors," said Tom Davidson, senior curator at Jamestown Settlement.
"They are absolutely core to any understanding of the period of discovery and exploration in this part of the world." The watercolors inspired the museum's graphics and guided the design of its outdoor Powhatan Indian village.
White's watercolors are like the "Mona Lisa," much seen and studied, but rarely in person.
Many people know his work through copies made by illustrators and printmakers who altered the scenes to suit their needs.
"Why is it ever important to see the original of anything?" Davidson said last week. He pointed to the tiny figure of a dog in a depiction of the Indian town of Pomeiooc. That alert little pup with upturned tail is not visible on prints. The originals, he said, are "full of detail that is never going to show up in a reproduction."








































